Sunday, June 14, 2015

Breakfast drinks and tunes with Mudhoney

Mark Arm leans into it at the Rock n' Roll Marathon in Seattle. (All Cat Rose photos)

Andy, text; Cat Rose, photos

It was early morning action for the TSHIT staff on Saturday.

When rock n' roll calls, you answer on the first ring and go get 'em.

While most of you were sleeping tight, we gobbled up some breakfast and drinks at the Mecca Cafe on Queen Anne in Seattle, cruised over to the beer garden at Seattle Center where Rock n' Roll Marathon participants were chugging brews after crossing the finish line... and then we settled in for --- fuckin' Mudhoney --- who cranked through an hour long set that began at about 11:15 a.m.

The Riesling wine was a-flowin' on stage --- breakfast drinkers unite! --- and the band poured through songs like "Suck You Dry," "Into the Drink," "I Like it Small," "Sweet Young Thing Ain't Sweet No More," "You Got It," "Touch Me I'm Sick" and more.

As lunch time neared, we were outta there and ready for our next adventure at the Georgetown Carnival.

What's for dinner?


Steve Turner sporting his Crass T-shirt... Cat Rose approved.

Dan Peters going full bore.

Guy Maddison... bass face.

















More wine, for sure.

Monday, June 1, 2015

Crucified Barbara: Nailed to the music by way of seminal Seattle bands

Crucified Barbara's Mia Coldheart, front, and drummer Nicki Wicked. (All Cat Rose photos)
Klara Force.

Andy, text; Cat Rose, photos

Crucified Barbara journeyed thousands of miles from their homeland of Stockholm, Sweden... and they finally reached the promised land: Seattle.

"This band wouldn't exist without Seattle," said bassist Ida Evileye.

Added vocalist/guitarist Mia Coldheart: "The reason why we started playing instruments when we were like 14 years old was because of the grunge bands. It's amazing to be here. It's in our hearts."

Mia, who was still full of energy about two hours after Crucified Barbara's set as main support to Girlschool, banged on a wall outside the club as if giving Seattle and its influential musicians a thankful embrace.

Although they spent most of their brief visit last Thursday playing at Studio Seven and buying power cables at Guitar Center, they vow to do some sight-seeing during their next visit, Ida said.

Guitarist Klara Force and drummer Nicki Wicked complete the raucous rockers' lineup, which hit the Stockholm scene in 1998 and released their fourth album, "In the Red," last September. Equal parts hard rock, heavy metal and thrash metal, the band has graced the Swedish music charts and played on bills with Motorhead, Clutch, Heaven and Hell, In Flames and more. The band also won the P3 Guld category Rock/Metal of the Year 2014 in Sweden for "In the Red."

Mia noted that they wrote the songs for "In the Red" together in their rehearsal room.

"We learn now that's how we write the best songs, all of us together. It takes a lot of time and effort, but it turns out the best for us," she said as a noisy train rolled by about a block away.

"SHUT UP!!!" she yelled, her voice still very much in concert mode. Laughter ensued.




Ida agreed with Mia on the songwriting process: "I think we put the finger on the spot of what we do best because we're a live band, so we wanna play live together, and when you write songs like that then you get an instant feeling if it's good or not. I think we were really focused on the writing process and that's why we feel so happy about the album."

On recording at the legendary Music-A-Matic studio in Gothenburg with Henryk Lipp as sound engineer and producer Chips Kiesby, Ida added that Crucified Barbara went: "One step bigger and higher in every dynamic version that we were thinking about. I think that we managed to get everything out of both ourselves and the studio and the producer."

On "In the Red," Crucified Barbara loudly speak out against misogyny and for animal rights and tackle other subjects along the way.

The single "Lunatic #1" is named after one of the preeminent Swedish show-jumping horses with rider Jens Fredricson's training methods providing guidance for some of Mia's lyrics.

"When we wrote the song, the music for it was so energetic, so my feeling was it was time to write something positive, like a great message to the listeners," said Mia, who noted that she had most of the words, but was missing "the red thread" to tie her thoughts together.

When Mia's not fronting the band, she rides horses and spoke with Fredricson two years ago at a clinic. Fredricson explained how he changed his way of training with Lunatic to reach the top.

"It doesn't matter if it's horses or music, his words were really inspiring. So when I got back home from this meeting with him, and I just had all the words for this song. So the song is actually about having a teammate -- it could be a band or your best friend or someone who is on your side and make you reach your goals," she said.

When she's not playing bass, Ida enjoys reading novels: "It's another world to jump into and it kind of sets your fantasy going. And it's a good way of spending time on tour, too."

As for Crucified Barbara's music, Ida notes that she has a strong feeling that they're doing something special. They love playing music and enjoy each other's company, on and off the stage.

"I think that we've been respectful enough towards each other to not start fighting and break up," she said. While speaking, both Ida and Mia glance at each other and laugh a bit.

Mia and Ida both feel that being in the band is "a calling."

"We're aiming for to write better songs, be better musicians," Ida said. "And as long as that is the feeling that we have all together, we're gonna continue."





















Sunday, May 31, 2015

C'mon, Let's Go: Girlschool rips through tour, set to unleash 'Guilty As Sin'

Girlschool's Kim McAuliffe. (All Cat Rose photos)

Andy, text; Cat Rose, photos

Getting down and dirty, and cranking out a plethora of raw, back-to-basics anthems.

That's what Kim McAuliffe and her hard rockin' Girlschool bandmates have on their agenda, some 37 years after starting up in London. The quartet's latest album, "Guilty As Sin," is No. 13 for the band and will be unleashed this summer on UDR Records.

The record features corkers like "Come, The Revolution" and "Take It Like a Band," which were part of the band's setlist when it rolled through Seattle to play Studio Seven last Thursday night. Other career-spanning songs that blasted through Girlschool's amps -- and no doubt left them smoking a bit -- were "C'mon Let's Go," "Hit and Run," "Never Say Never," "Screaming Blue Murder," "Watch Your Step," "Race with the Devil," "Emergency" and more.

Yes, McAuliffe (vocals, rhythm guitar), Denise Dufort (drums), Enid Williams (bass, vocals) and Jackie "Jax" Chambers (lead guitar) were hot as a torch on stop six of their North American tour with Sweden's Crucified Barbara.

"We're really happy about it, obviously. We weren't sure whether we were gonna be doing another studio album at all," McAuliffe said following the Seattle gig. "Before we knew it, there we were in recording with Chris Tsangarides, who we'd already recorded with in the '80s, so we knew him and everything. And there we were doing it all over again."

McAuliffe -- one of the band's original members along with Dufort and Williams -- chuckles when she thinks about lyrics for the new album.

"We go, 'What the hell are we gonna write about now?' You think you've written about everything really you think of, but there's always something to write about," she said as a fan asked her to sign a drum head (neither of them had a pen, but hopefully that was sorted later).

She continued: "'Revolution' is written about how people aren't satisfied in the world anymore with things. And, of course, when I wrote 'Take It Like a Band,' it's all about being on the road."










For the members of Girlschool, rock and roll is their lives, although McAuliffe is looking forward to getting in some gardening and playing with her four rescue rabbits on her half-acre abode this summer when she returns from tour.

"You don't really think about it, you just do it," McAuliffe said about rocking with Girlschool. "It's fun -- and what else would we do?"

Back to that garden ... "Funny enough, when I was having to write for the new album, yeah, I'd be sitting out in the garden going through stuff. We didn't get anything (inspiration) from the trees or anything. I'm not that hippy-ish."

About an hour before taking the stage in Seattle, McAuliffe stood to the side, arms folded, grinning and nodding her head as Crucified Barbara leveled the crowd.

"I must admit, obviously we started 37 years ago, we were expecting a lot more females to come up. It only seems to be now, 37 years later, that there's more. It's taken it's time, isn't it?" McAuliffe said.

On Crucified Barbara, she added: "I'm proud of them. I think they're brilliant. So they're all girls, they're just a bloody good band. It's a bit like people still thinking, cause it's such a novelty, you can't possibly have two girl bands playing... you know, there'd be a rivalry. But of course it's not. It's like saying Deep Purple/Black Sabbath on the same bill -- they're just different bands. They're all blokes, but they're just different bands ...we're all girls, we're different bands."

Original Girlschool lead guitarist/vocalist Kelly Johnson would have surely been standing by McAuliffe's side, digging the rock in Seattle.

Johnson died of cancer nearly eight years ago and her spirit remains with Girlschool.

"We still talk about her all the time and laugh about everything. We laugh about things we've done in the past. She's still very much with us," McAuliffe said with a smile.





















Friday, May 22, 2015

Can't compete with The Rezillos

Fay Fife and Eugene Reynolds. (All Cat Rose photos)


Andy, text; Cat Rose, photos


Fay Fife and Eugene Reynolds are better than any dynamic duo on any planet.

C'mon... Fife strutting across the stage, giving her boots a workout while scowling and smiling at the crowd as the melodies spring forth into her microphone. That's badass.

And then you've got her partner in crime, Reynolds, swinging his body every which way, pointing at the punkers and grinning ear to ear while his gruff vocals fit perfectly side by side with Fife's.

That's The Rezillos for you. Kicking things off in Edinburgh, Scotland in 1976 and delivering their catchy and riveting tunes to Seattle's Studio Seven in 2015. They're still making it happen with a blend of the classics and a handful of infectious new songs that are, well, "Out of This World."

Also featuring Angel Paterson (drums), Chris Agnew (bass) and the rip-roaring Jim Brady (guitar), The Rezillos blasted through nine songs off the legendary "Can't Stand The Rezillos" album, including "Flying Saucer Attack," "Top of the Pops," "2000 A.D" and, of course, "Somebody's Gonna Get Their Head Kicked in Tonight."

Standouts from the new album "Zero" are "(Take Me to the) Groovy Room," "Animal" and the stunning "Nearly Human."

Other bands only wish they had songs this good.