Friday, March 29, 2013

Bassist Dave Klein joins Black Flag

Dave Klein. (Courtesy of D'Addario)

And the new Black Flag bassist is … Dave Klein.

According to a message on the Screeching Weasel Facebook page:

"It’s my sad duty to report that Dave Klein has left the Screeching Weasel fold. Normally when one departs the rolling hills and verdant meadows of Weasel Acres, whether voluntarily or with my assistance, the pastures on the other side are distinctly brown, but in this case our man hit the jackpot. To wit: Black Flag came calling, and he answered the bell. And who can blame him? When Black Flag says they want to hire you, you suit up, give notice to the circus, and report for duty. You think I wouldn’t ditch this sideshow and start stocking up on black satin shorts and hitting the Nautilus if I got the call? Think again, chum."

Vocalist Ron Reyes confirmed the news.

Along with Screeching Weasel, Klein has played with The Proctologists, Wretch Like Me and They Stay Dead.

Here's Black Flag's upcoming tour dates (more to be added soon):

May 14, Rockhal Club, Luxembourg

May 15, Alcatraz, Milano, Italy

May 16, Dynamo, Zurich, Switzerland

May 17, The Orion, Rome, Italy

May 18, Ruhrpott Rodeo, Hünxe, Germany

May 20,  Arena Wien, Austria

May 23, Infest, Austin, TX

May 24, Trees, Dallas, TX

May 25, The Korova, San Antonio, TX

June 6,  Granada Theater, Lawrence, KS

June 7, Wooly's Des Moines, IA

June 8-9, Reggie's Rock Club, Chicago, IL

June 10, Majestic Theatre, Detroit, MI

June 14-15, Warsaw, Brooklyn, NY

June 17, Union Transfer, Philadelphia, PA

June 18, Growlers, Roanoke, VA

June 19, Buster's, Lexington, NY

June 20, Southgate House, Newport, KY

June 21, Fubar, St. Louis, MO

July 10, Tricky Falls, El Paso, TX

July 11, Club Red/Red Owl, Tempe, AZ

July 12-13, The Observatory, Santa Ana, CA

July 14, Vex Arts Los Angeles, CA

July 16, The Catalyst, Santa Cruz, CA

July 18, Hawthorne Theater, Portland, OR

July 19, El Corazon, Seattle, WA

July 20, TBA, Vancouver, BC

July 23, Oakland Opera House, Oakland, CA

July 24, Ventura Theater, Ventura, CA

Aug. 3, Resurrection Fest, Viveiro, Spain

Aug. 4, Hevy Fest, Port Lympne Wild Animal Park in Kent, UK

Aug. 9, Ieperfest, Ieper, Belgium

Aug. 10, Melkweg, Amsterdam, Netherlands

Aug. 31, Muddy Roots Music Festival, Cookeville, TN

Sunday, March 17, 2013

From Circle Jerks to Misfits, a gig 'diary' of sorts

By Andy

Some people keep diaries, jotting down their deepest, darkest secrets about love, friendship and the like. These tear-stained daybooks are best friends for some people and help get them through the day.

In my teen years, I ripped a piece of paper out of a beat-up notebook and wrote down the gigs I attended.

This now-yellowed sheet tells the tale of my punk-rock exploits circa 1981-'83 in the Southern California area. Whenever I returned home from places like the Starwood, Whisky a Go Go, Cuckoo's Nest, Godzillas and other clubs, I regularly listed the bands that were on the bill that night.

If this page could talk, it would scream about loud music, beer, clove cigarettes, puke on bathroom floors, broken guitars, microphone stands flying into the crowd, cops and gangs= violence, late nights and long drives (with too many people packed into cars) to dingy clubs where all this glorious stuff happened.

Like those diaries, it was also about friendship. And today, I might even shed a tear when reliving those good times.

Anyway, enough emo shit, here's that list, gigs 1-60:

And now for a break from our "sponsor": Punk rockers' beer of choice.

Monday, March 11, 2013

Bands bring the rock to Seattle's Columbia City Theater

Sandrider's Jon Weisnewski, top, Helms Alee's Ben Verellen, below. (All Cat Rose photos)

Vaudeville theater once ruled the day at the Columbia City Theater, which was built in 1917.

In the '40s, Duke Ellington, Ella Fitzgerald, Fats Waller and other notable jazz artists belted out their tunes on its stage.

Jimi Hendrix kicked out the jams there in the '60s ...

... and Helms Alee, Sandrider and Lowmen Markos cranked up their guitars and amps for a solid show last Friday night at the historic venue, which re-opened in July 2010 at 4916 Rainier Ave. S. in Seattle.

Here's some Cat Rose photos to document the evening:


Weisnewski with drummer Nat Damm.

Bassist Jesse Roberts.


Drummer Hozoji Matheson-margullis and bassist Dana James.

More photos:

Saturday, March 9, 2013

Medicine Man: Musical healing on the way

By Andy

Medicine Man might not have any tunes yet, or even a full lineup, but people are anxious to hear what Brandon Jak Cruz, Bryan Migdol and Louie Mayorga will have to offer with their new band.

The Southern California-based outfit, featuring the former members of Dr. Know, Black Flag and Suicidal Tendencies, is taking its time, patiently waiting for everything to gel, before making its move and unleashing its sound to its Facebook and Twitter followers.

Cruz notes that Medicine Man already has 1,000-plus Facebook "likes," which may mean that only 100 people could show up for its first gig, he laughs. He doesn't give a damn how many people are on board. He just wants to play music with his friends and give people something to be stoked about.

"This new band Medicine Man is gonna be pretty serious about putting out something that we all agree on as being representative of us -- as we are now," said vocalist Cruz over the phone last Saturday. He doesn't know when they'll get things happening, but he's sure that the band members -- minus a guitarist at this point -- have the same vision, background and feeling about what's to come.

"It isn't going to be a place where you're going to hear any of our old bands' music, 'cause there are versions of our old bands out there doing just that, so jumping on that bandwagon would just be for all the wrong reasons," said Cruz, who wishes all those bands well at doing their thing. "I have no idea what it's gonna be (hardcore or otherwise) and that's kind of the great thing about it. It's like you've got this really great gift, but you don't quite know yet how you're gonna use it or what it's gonna do or what it's even gonna look like, but you know it's there. We all have our hands in on it and we're all working on it together.

"If people like it, cool; if people don't like it, fine ... we'll continue to do it because we like to do it."

Brandon Jak Cruz. (All courtesy photos)

Cruz formerly sang for Dr. Know, Mayorga played bass for Suicidal and Migdol is perhaps the crown jewel in the lineup as the original Black Flag drummer who played on its debut "Nervous Breakdown" EP in 1978. Kurt Schellenbach, formerly of Nip Drivers, initially played guitar for Medicine Man, but has left the band. Schellenbach, a graphic artist who helped design the band's logo and aided in obtaining a domain name for its future Web site, remains close with the band. Earlier this week, Medicine Man practiced with a mystery guitarist, whom Cruz said played in one of the bands on the shredding "This is Boston, Not L.A." compilation from 1982.

Cruz has known Mayorga since the early '80s and befriended Migdol online after he perused his Web page. Migdol played in Black Flag from 1976 to 1979.

"I talk with him and he's got 2 1/2 years worth of stories of working with different bass players before Dukowski was there. He was the one who surfed and had a skateboard and lived on the Strand -- that was him," Cruz said of Migdol and the song "Wasted." "He still surfs, he doesn't live on the Strand there in Hermosa anymore, but the history that he's got with that band really isn't that well known. (He was) the first guy to do this stuff and it changed Hollywood punk rock, it changed LA punk rock, it changed Southern California punk rock-- that whole energy that they brought to it."

Suicidal was a different beast in that it brought a crazy, violent gang mentality to punk rock, Cruz said. They raised shit and awareness that was pivotal to the scene and turned punk rock on its ear again, he added.

Cruz said that Mayorga remains an amazing bass player who also plays with HR, Horny Toad and Luicidal, his own version of his old band.

Migdol, top, and Mayorga.

Medicine Man is keeping it old school age-wise with each member at around the 50-year-old mark or above.

"For some reason, we're just going for these people who have been around and know what they're doing and know what they like to play and are just gonna do it for fun," said Cruz, adding that they want to tap into the here and now, as well. "Something I do wanna do is to go and see all the people that I've met around the world in punk rock again and bring 'em something new."

On seeing old friends and places, Cruz adds: "You can go there again, there's no rules with punk rock. It's probably why so many of us were into it and are still into it and are still affected by it, because it gave us this freedom to just kind of start something new and try something different." Cruz said that if they failed, they laughed about it-- when things were stellar, they celebrated it.

Forming part of Medicine Man via the Internet and spreading the word via social media is an interesting way to make things happen, Cruz said of the new-school ways.

"Back in early '80-'81, putting a band together like this, there weren't enough old-school guys ... old school wasn't invented yet, we were in preschool back then," he laughed. "Now that we're the old-school guys, whatever that means,  I know kids that are 19 that say that they are old school compared to the 13-year-old that they know..."

Whatever one's age is, Medicine Man is hoping to bring new recruits into the fold when they're finally ready to rock in a live setting.

Day by day, people are becoming interested in Cruz and company's progress.

"It's brought up a lot of interest from people, it's gotten us a lot of well wishes from people that we know well and respect. A lot of the old Black Flag people have chimed in -- Ron Reyes, Greg Ginn, Henry, Keith, they've all posted something on our page and then reposted stuff from our page onto theirs about what we're doing," Cruz said.

"We're gonna be playing to kids who could be our grandkids and we'll be playing to friends our own age. That's kind of the cool thing about it is that it reaches so many generations, because punk rock is probably on its eighth or ninth go-around by now."


Cruz (center) with "The Courtship of Eddie's Father" co-stars Bill Bixby and Miyoshi Umeki.

Cruz, who starred in the TV show "The Courtship of Eddie's Father" from 1969 to 1972, also sang for the Dead Kennedys from 2001-2003.

Here's his take on filling Jello Biafra's shoes:

"When there's a void, it needs filling and Jello was not gonna be a part of the band due to their past legal and personal issues, which I had absolutely nothing to do with ... It wasn't like I had to fit into that same mold, I just had to be who I was and not try and be Jello. I didn't give a lot of political speeches in between songs about things that the songs were about; I was the lucky fan who got to hold the microphone and lead the entire crowd in one big sing-a-long. Because the songs are so important, the songs hold up, the songs still have value, the songs still have historic meaning, they still have power."

Cruz, who is married and has two teenage children, said that Oxnard, Calif., is his "home for life." He currently lives in Southern California, is a Sober Surf instructor and works in the drugs and alcohol rehabilitation field.

"I'm busy with my family, friends and surf ... If I don't surf, I'm just fucked, and I've got to be able to skate."

On being a Sober Surf instructor: "I realize how much it works for people who are battling drugs and alcohol, how it gives them a sense of freedom. My whole life since I decided to stop doing drugs and alcohol (16 1/2 years ago) has been all about helping other people. Every day I wake up without a hangover, is another day I can go surf and go be with my family and hang out with my friends and do my work ... I'm helping people, people are helping me, I'm in the ocean -- alive."

Cruz, who played a role in Rob Zombie's movie "The Lords of Salem" in 2012, checked out a Ramones gig in 1976 in London, where he was attending a premiere for the "Bad News Bears" film. Johnny and Joey Ramone were staying in the same hotel as Cruz, recognized him from "Eddie" and invited him to the gig.

He says that "Eddie" co-star Bill Bixby (1934-1993) was and is still a major influence on him:

"Bill was definitely a role model to me in the sense that he always showed me that if you worked really hard and you were a decent person that nothing really fucked up was gonna go wrong, although that guy suffered more emotional and mental anguish than anybody I'd seen at that point. His dad died while we were filming, his son died, then his ex-wife committed suicide all in a pretty short time period.

"He worked so much to get away from that, he didn't do any drugs or alcohol, he golfed and he golfed like a fucking monster and he probably could  have turned pro. He had this work ethic where no matter what, he always showed up. I saw what it was like to have a good work ethic, and probably not something that I put into use immediately, but it took a long time for me to be anywhere near what Bill left behind --- I don't think anybody's ever gonna achieve actually what Bill was ... so he's a one-of-a-kind guy."

Sunday, March 3, 2013

Time capsule '82: Anti-Pasti and the Effigies

Martin Roper of Anti-Pasti at Godzilla's. (Fer Youz photos)

By Andy 

Three bands had already played. The alcohol had worn off. It was late and everybody was dead tired -- some punks were even taking naps on a raised carpeted area of the dingy Godzilla's club in the San Fernando Valley of Southern California on Jan. 1, 1982.

We were waiting. And waiting and waiting .... 11 o'clock... midnight...

But we would not be denied the chance to see England's Anti-Pasti on this Saturday evening-- which would eventually turn into the next morning. Me, my brother Ed and one or two others in our crew would have to deal with our parents' tired eyes and groans about missing curfew later, though. We'd most definitely be grounded for the following weekend or two, and there'd be additional chores to do, of course.

We'd heard Anti-Pasti's tune "No Government" on Rodney's show on KROQ the weekend before, and dammit, we wanted that song blasting into our ears in a live setting now--- now!!

Anti-Pasti was on the way, we were told; they were traveling from San Francisco, after having played there the night before. So we stuck it out, just staring at the empty stage with bloodshot eyes, a partial (once huge) wave of anticipation and bits of anger rumbling around inside of us.

John Kezdy and Earl "Oil" Letiecq of the Effigies at Godzilla's. They were introduced as a "skinhead band from Chicago."

Earlier in the evening, we were treated to the sounds of Chicago's Effigies-- a band we'd heard about in the zines and they quickly became one of my favorites. Earl "Oil" Letiecq's guitar sound was crisp and raging all at once and John Kezdy's intense vocal delivery pricked up our ears and had us nodding our heads and raising fists of approval in his direction. (Circle One and the Crewd played, as well, according to my handwritten list of shows from '81-'85.)

So the night wore on ... and then singer Martin Roper and the seemingly elusive Anti-Pasti finally took the stage at about 12:30 a.m. or so and tore through a stellar set. I remember there being a small crowd on hand, people raising their heads from their slumber, yawning and summoning enough energy from their spent bodies to fully appreciate the British quartet.

About half way through the set, the moment arrived ... that's right, "No Government." We looked at each other and smiled, knowing that we got what we wanted, but at the same time knew this would be the end of the night for us. We'd now have to make the lengthy, dreaded drive back home to Redondo Beach and face our parents. And those fucking chores the next day.

I'm sure that while I was vacuuming the house or cleaning the garage, I was humming that Anti-Pasti tune in my head the whole time. Chores be damned, but at least we've got some great music to accompany us, right?

Saturday, March 2, 2013

Rise Above: Black Flag, Seattle Sounders FC

Seattle Sounders FC soccer match --- see info later in story. (Courtesy photo)

Wherever we turned today, Black Flag was there.

This afternoon, we rummaged through some boxes and found some old pics from an LA Times article from the epic Black Flag, Adolescents, DOA, Minutemen gig on June 19, 1981 at the Santa Monica Civic. Andy attended this gig and stood stage left with his brother, Ed.

Later, while watching the UCLA men's basketball team defeat the University of Arizona, 74-69, on TV at the Triangle Pub in Seattle, a commercial break brought us a Bruin short, "The Optimists," featuring a clip of graduate Greg Ginn shredding away during an old gig mixed in with other notable grads. Cat's a UCLA grad,  as well, along with her mom, Joan.

And then, prior to the Seattle Sounders FC soccer match versus the Montreal Impact tonight, a massive sign was raised in the crowd emblazoned with the words, "Rise Above." Cat and I were in attendance, we looked at each other and nodded our heads-- how fitting, right? Unfortunately, the Sounders lost, 1-0.

Cat's phone ring has been Black Flag's "Rise Above" for a few months, too, apparently in sync with all the recent Black Flag and Flag news.

OK, enough, (Black) Flag for now ... or is there ever enough?