Friday, November 10, 2017

Corrosion of Conformity roaring to go with new album, ‘No Cross No Crown’

Corrosion of Conformity in Seattle. (Cat Rose photo)


It’s been a while, right?

After a 12-year hiatus from recording with vocalist/guitarist Pepper Keenan, the venerable and brawny original Corrosion of Conformity trio of drummer Reed Mullin, guitarist Woody Weatherman and bassist Mike Dean have the frontman back in their clutches to bestow upon us a new album, “No Cross No Crown.”

The rock will roll when the album is released on Jan. 12, 2018 by Nuclear Blast Entertainment.

With Keenan back in the fold, the band toured for a year, kicked into the recording process about 10 or 11 months ago and blasted this one out in about 40 days during that timeframe. The last Keenan-fronted COC album was “In the Arms of God” in 2005.

Once again, John Custer was in the producer’s seat to help whip the album into shape in a North Carolina studio.

The 15-song set includes the walloping “The Luddite,” “Little Man” and “Forgive Me”  interspersed with melancholy guitar interludes like “No Cross,” “Matre’s Diem” and “Sacred Isolation.” (New song "Cast the First Stone" below.)





According to an Earsplit PR release, the album’s iconic title comes from a recent tour stop in England.

“We were playing this old church from like the 1500s that had been turned into a performing arts center,” Keenan recalled. “The dressing room had stained glass windows and one of them showed this poor fella being persecuted. Underneath it said, ‘No cross no crown.’ So I just took that idea. We’re not trying to be on a soapbox, but we used it as a catalyst to write songs around.”

Keenan is stoked to be part of the COC steamroller again.

“It’s an honor to be back out there and have an opportunity to do it again in a real way and not some washed-up reunion thing. Even before we wrote the record, we were out there for a year seeing there was a demand for it and that there was a void that we could fill,” he said in the release.




Sunday, October 29, 2017

Record roundup: All over the musical map on this journey



By Andy

*** In the documentary "We Were Feared," which tells the gritty tale of the legendary club the Cuckoo's Nest in Costa Mesa, CA, Love Canal guitarist Eric VonArab gets some screen time. He and his pals know their stuff, wrangled with each other in the pit and devoured a crucial slice of OC punk. On this album, they take those experiences and heaps more along the way and mold them into that classic style that permeated the Nest. Love Canal pummels your speakers with their roaring anthems that would have fit in perfectly with the scene back then and resonate now with the force of a million stomping engineer boots alongside raging guitars and sneering vocals. (Hostage Records)


*** We've seen Sir Coyler and His Asthmatic Band in Seattle a few times and they've thumped and rumbled their way onto our favorites list. This single provides blasting, stomping rock in the grand Pacific Northwest tradition of the Sonics and Mudhoney and a ton of others. It rocks, it rolls and you need it wedged in your ears posthaste. (Pig Baby Records)


*** Javier Escovedo's latest record is just about as good as it gets. It full on rocks in spots and then lays back just right with the pensive tunes you need after hammering away in the vein of The Zeros, where he cut his musical teeth in the early punk days. With songs like "This Side of Nowhere" and "Gypsy Son" holding the heavy reins and "Searchin' for You" and "Just Like All the Rest" taking the easy-going route, you should be all in with this release. (Saustex Records)


*** The Cheap Cassettes kicked out a hunk of their Plimsouls-inspired rock and roll on Friday night in Seattle and they gave "Worse N' Better" off this two-song tape a whirl about midway through the set. Guitars swung, heads bobbed and hips shook... just the way it should be for stellar tunes like these. (Rum/Bar Records)


*** Um, yeah, the Side Eyes are definitely a band people should have on their radars if they're into tracing rock roll lineages. Vocalist Astrid McDonald surely knows what she's doing at the forefront of this ripping band since her parents showed her who had the beat and how to stand in front of poseur. It's basic stuff that carries on the family and punk tradition with swagger and humor. We caught McDonald and guitarist Kevin Devine joining forces with Redd Kross on stage last December in Santa Ana on a cover of The Eyes' "Don't Talk to Me." Not sure if Chargo was there, but her influence is all over the Side Eyes. (In the Red Recordings)

Sunday, October 22, 2017

Mould, Bondi team up again at stirring Seattle gig

Bob Mould bathed in the stage lights in Seattle. (All Andy photos)

By Andy

Whenever Bob Mould and his Husker Du bandmates rolled into Redondo Beach, CA in the early '80s, I was always armed with many questions.

What were they up to writing-wise? What gigs had they played? What bands were hot at the moment that I should take note of? Do you wanna play some basketball or jam in my garage? (OK, so that last bit never transpired, but I did ask my parents.) On the band front, my teenage mind would always come away filled to the brim with a ton of groups that I wanted to check out.

One of the bands that was at the forefront was Articles of Faith, a Chicago group featuring razor-blade-voiced Vic Bondi, who was said to challenge listeners both musically and lyrically. Mind-opening and -bending stuff, I was told.

I was all in... and my friend John and I soon got in on the AoF action via the "Charred Remains" compilation tape and their EPs.

Producer Mould and AoF teamed up on the band's "Give Thanks" and "In This Life" albums, which are crucial platters that add a pop to the old record collection.

So, last night, the two shared a stage again -- for the first time in 28 years -- this time in a solo setting and they have proven to be just as vital musicians as ever. These are the guys who stoked my musical fire back in the day and I was glad to part of their reunion and await what they'll be firing our way next.

At the Crocodile in Seattle, Bondi went six- and 12-string acoustic and tackled some AoF songs ("I've Got Mine," "Remain in Memory," "In This Life" and "What We Want is Free") and other gems from his vast catalogue. It was intense and moving stuff. He growled, smiled and sweated it out under the lights, and set the stage perfectly for Mould.

Like Mould did later, Bondi briefly reminisced about their friendship and how thrilled he was to be playing together again. Mould noted that he had fun working on the AoF albums and that people should seek out and dig into Bondi's records.


Bondi belts it out.


When it was Mould's turn on stage, he unleashed his sonic barrage of electric guitar and gritty vocals on the smiling and head-bobbing crowd for the next 75 minutes or so. He had to battle with his pedals at the start to get his sound solidified, but once all the cords were locked in, he grinded out one crucial tune after another that spanned his entire career.

In an emotional moment, Mould spoke about his former Husker bandmate Grant Hart, who recently passed away from cancer. He said that Hart was a great man and to honor him, Mould flowed into Hart's "Never Talking to You Again" that segued into "Flip Your Wig," the stellar Mould-Hart trade-off vocal song. I found myself singing the Hart parts to myself while eyeing the fans, who were all caught up in a stirring, inspirational night of rock and roll.


More Seattle pics and video clips at end:

















Saturday, October 21, 2017

Dinosaur Jr. guys pound out some tunes with former Laughing Hyenas, Necros members in San Francisco






Fans who showed up for a Dinosaur Jr./Easy Action gig last night in San Francisco were blasted back to the past, Laughing Hyenas- and Necros-style.

At The Regency Ballroom, Easy Action singer John Brannon and bassist Ron Sakowski -- both former Hyenas -- were joined on stage by J Mascis and Todd Swalla -- another ex-Hyena -- to jam on "Everything I Want." Before the song began, Brannon yelled out, "This one's for Larissa!" in reference to Larissa Strickland (RIP), the Hyenas' guitarist.

Prior to that, Lou Barlow -- along with Swalla, Sakowski and Mascis -- tore into the Necros' "Reject." Swalla and Sakowski are, of course, former Necros.




Video courtesy of Dan Kashkooli. Thanks!

Sunday, October 8, 2017

3-point play: Hoop helmets and then some with Endino's Earthworm, Swallow and The Thrown Ups

The Thrown Ups. (All Cat Rose photos)


At Slim's Last Chance Saloon last Thursday night in Seattle, the rock rolled and basketball helmets were a slam dunk with the packed house at the benefit gig for Dawn Anderson, who is battling cancer. To donate, visit https://www.gofundme.com/please-help-dawn-recover-from-cance

"There's a lot of history in this room," said Jack Endino, referring to people like Anderson, Mark Arm and Steve Turner of The Thrown Ups and Swallow, whom we last saw live in the early '90s at Marsugi's in San Jose, CA alongside the Guttersluts.

Photographer Cat Rose caught the action:


THE THROWN UPS

























SWALLOW
















ENDINO'S EARTHWORM




















Saturday, September 30, 2017

American Waste: Migdol talks Black Flag, new project

From left, Rik Collins, Bryan Migdol, Farrell Holtz and Mike Vallejo. (Courtesy of Bryan Migdol)

By Andy

When Bryan Migdol pounded the skins for Panic -- later doused with more gasoline and lit up as Black Flag -- he may have spent a bit of time in the practice room. Um, 8-10 hours at a time, in fact, when he and his bandmates hammered out the tunes that would later spawn a million four-barred tattoos.

In the sweaty and vociferous Hermosa Beach, CA practice pad, life lessons were being carved into musicians' hands and vocal cords.

"It instilled in my morals to work hard," Migdol, 58, said this month. "If you're gonna write good songs and you're gonna have a good band -- a tight band -- you've gotta rehearse."

During those early days, he also mastered the promotional side of music, whether it was getting the band's name onto the scene or working for Don Kirshner's Rock Concert by giving away tickets to shows on The Strand in Hermosa and Redondo on sunny days. Migdol moved his way up the ladder at Kirshner and saw bands like Black Sabbath, Rush, T Rex and more record live segments for the TV show. He pestered show execs to book the Ramones, and two years later, they pinned the pinheads into a session.

That work ethic keeps Migdol rolling these days and he's got a new project on tap: American Waste. With an album "My High School Rebellion" in the works, the band features Migdol behind the kit, Mike Vallejo (Circle One) on guitar, Rik Collins (The Woolly Bandits) on bass ... and a host of Los Angeles punk singers getting some mic time and belting out classic songs by the Damned, Saints, Black Flag, the Undertones, Buzzcocks, X-Ray Spex and more.

They've been working on the project since March at RMC Studios (owned by the founder of The Monkees) in North Hollywood and Migdol wants to keep a lot of the details mum, but he does note that Farrell Holtz from Decry and Axxel G. Reese from the Gears have recorded with the trio. We'll just have to wait for the rest of the project's bits and pieces to be revealed when it all comes to fruition, OK? Rodney Bingenheimer has mentioned American Waste on his Sirius radio show when playing The Woolly Bandits, so that's a plus.


G. Reese with the Gears in Seattle. (There's Something Hard in There  photo)


Migdol hopes to have the compilation in people's stockings by Christmas.

"It's really weird, it's like a package that you open and then there's another box and another box and another box...it just kept getting sweeter and sweeter with the different people that we have," said Migdol, who added that he's still waiting for some singers to commit to the project, and there are also some well-known guitarists on board.

"I'm trying to get the old scene doing songs we grew up on, 'My High School Rebellion,' so it all kind of bleeds together," said Migdol, noting that a famous artist may be solidified to do the front cover, while the back of the album may feature old photos of the singers to tie in the high school yearbook theme.

What started as an American Waste rehearsal with the band playing their own numbers turned into a cover-song session that the engineer recorded.

"We listened to the playback on the five songs we did. Mike and Rik were like, 'This is fucking cool, dude.' And so, we went a step further, and started talking about maybe doing a compilation..."

In short, he wants to have a blast with his bandmates and give some veterans of the LA punk scene their due (there may be some famous non-LA folks in the mix as well... once again, stay tuned).

As for the band name, obviously it's a Black Flag song title, but Migdol said he simply likes the moniker. Fomer Black Flaggers Dez Cadena and Ron Reyes used the name North American Waste for some gigs in New York and New Jersey last December (when they played Black Flag songs), and Migdol said that Cadena gave him the nod to use it.

Migdol said he's had to turn singers down who wanted to participate on the project because he's got a full plate.

He's stoked to have people grasping onto the American Waste concept. When he tells friends what tunes are involved and plays some snippets for them, "That puts a big smile on my face, because that means people think the same way I'm thinking."


Migdol recording the "Nervous Breakdown" EP. (Courtesy of Bryan Migdol)


As for the Black Flag song on the comp, Migdol notes that it's one that he played on during his tenure with the band. It's one of the four on the "Nervous Breakdown" EP, so you've got a 25 percent chance of nailing it down.

Initially, he refrained from including the song on the LP, because he didn't want to taint his performance on the EP. He likened the scenario to a solid movie that produced a sequel that blows. But after hearing the band and vocalist's killer performance on the playback, he got amped and decided to feature it on the album.

"I smash the shit out of it, so you'll like it," he said of the drumming.

After many years of distancing himself from Black Flag -- which didn't use that moniker until he left the band, Migdol said -- the drummer embraced his past over time. He played in some metal and country bands after Panic, but his drum sticks haven't touched those other forms of music for ages.

"I never thought that 40 years later, it was still gonna be around and turned into what it turned into," he said. "That's crazy when you think about it."

He adds about his days with Keith Morris and Greg Ginn (Chuck Dukowski wasn't yet on board when Migdol was in the band, he said, and added his bass tracks to the recordings later): "I just remember being young and having a good time. It was a lot of work and we went in the studio and we recorded it and pretty much I left the band and then history took over after that."

Migdol felt cheated out of his work by not being credited with drumming on the EP for years, but that was corrected on later pressings of the EP and on internet band information pages.

These days, it's all about American Waste for Migdol, who is glad to still be unleashing his rapid rock drumming -- with nods to his early influences like John Bonham and Ian Paice -- alongside Vallejo, Collins and whatever singer steps into the studio to help bring "My High School Rebellion" to life.



Saturday, September 23, 2017

Rat City Recon 2017: A no-holds-barred festival of fury

Dead Asylum. (All Cat Rose photos, except where noted)


Bands brought mega-fuckin' heaps of noise to White Center last Saturday at the Rat City Recon 2017.

Inviting the snarling groups into their lairs with welcoming claws were Drunky Two Shoes BBQ and the Southgate Roller Rink.

Here's the bands we checked out, and Cat Rose cranked out the photos (Andy took a few of Lb!):


DRYLAND
















TEACHER












CAGES




















DEAD ASYLUM








LB!










ME INFECTO











TACOS!








VOYCHECK














LORBO








MOUNTAIN HOLLER


... The beginning of Rat City Recon can be seen in this man's sunglasses.