Sunday, September 22, 2013

X and Blondie: Summer's-end delight at Marymoor Park in Redmond, WA

Exene Cervenka and DJ Bonebrake of X and Clem Burke of Blondie, bottom. (All Cat Rose photos)





By Andy

X -- and Cat Rose.

For the first three songs of X's stellar set at Marymoor Park in Redmond, WA last Tuesday, Cat was allowed to shoot the band up front, with nobody in her way. Hell, she was practically the fifth member of the band!

Since X is one of her favorite bands of all time, it was an honor, to say the least.

Exene Cervenka, John Doe, Billy Zoom and DJ Bonebrake blasted through their 16-song, 45-minute set covering all aspects of their career. "Your Phone's Off the Hook, But You're Not" was first and "Devil Doll" capped off the set with Eddie Vedder from Pearl Jam joining the band for some back-up vocal action. (Vedder also sang on "The New World" earlier in the set.)

Doe... and then Doe with Vedder and Cervenka with the Pearl Jam man.





Zoom and Bonebrake action.







Unfortunately, for headliner Blondie, Cat was required to shoot from the soundboard for the first three songs only.

Nevertheless, Blondie was in fine form, as well, kicking off with "One Way or Another" from, let's face it, their best album "Parallel Lines," right? I wore out my 8-track tape of that album in 1978, and it was one of my mom's favorites, as well. She proudly sports a T-shirt with the album cover on it, which Cat and I bought her for Christmas a few years back!

Debbie Harry and crew hit all their high points like "Heart of Glass," "Rapture," "Call Me" and more during their 105-minute set. Her voice was a bit ragged in spots, but she held her own and kept the crowd entertained.







Original guitarist Chris Stein was there... and what can you say about drummer king Clem Burke? He simply shreds, even if he was playing behind a Plexiglas "cage" because they were recording the gig, so that keeps the instruments from bleeding into each other.

It was weird seeing Burke drum on a big stage. Lucky us have seen him obliterate the skins in a small venue (The Comet Tavern in Seattle) with Magic Christian, where we were practically touching the drum kit, and later he drummed at a medium-sized spot (El Corazon in Seattle) with Glen Matlock and Hugh Cornwell's bands.

Burke wasn't hiding behind a wall of Plexiglas during those gigs. Speaking of the Plexiglas, it could have used a round of Windex on it for that streak- and smudge-free shine.

Burke had the last say on this night, as well, after a lady fan with striped-pants jumped on stage and gave Harry a kiss on the cheek and a hug before bowing down to the singer.

"Hey, who the fuck is she?" Burke wailed as laughter erupted.





For a full review, check out this link: http://www.redmond-reporter.com/entertainment/224499901.html

Sunday, September 15, 2013

Cosmic Psychos vs. Communist Eyes: double victory


 Cosmic Psychos, top, Communist Eyes, bottom (All Cat Rose photos)


Wednesday night punk rock... why not, right?

Sure, it was a "school night" and work deadlines were looming, but when the rock is available, you gotta grab it, we say.

Our buddies in Communist Eyes and Aussie goofballs the Cosmic Psychos took center stage at Barboza in Seattle and put beer-soaked shutters over the outside world for a few hours. Knock back a few drinks and shake it loose a little bit, ya know?

Cat Rose pics:

COSMIC PSYCHOS










COMMUNIST EYES





Sunday, September 8, 2013

Bands get heavy, crowd gets buzzed at Tacoma Craft Beer Festival

Mahnhammer. (All Andy photos)

By Andy

Mahnhammer blew the PA.

Yes, the Tacoma metalists are heavy.

During the break, while the sound crew at yesterday's Tacoma Craft Beer Festival scrambled around the infield area of the Cheney Stadium baseball field and nervously plugged cords together and hoped for the best, someone in the crowd uttered the dreaded two words.

From the mouth of the buzzed guzzler: "Hammer Time!"

Red-haired singer Hembree bowed his head, shook it a few times and seemed to reply, "You did NOT just say that, dude."

So, the PA came back to life, Mahnhammer got the attendees drunk with their pounding tuneage and all was well in beerfest land again.

The Plastards


Aside from Cat sampling some tasty brews (I was the designated driver on this day), we appreciated the songs of Mahnhammer, of course, The Plastards (Tacoma old-school punk) and our buddies the South Sound Bureau Chiefs (mighty Seattle-area rock).

South Sound Bureau Chiefs.





Funny moment of the day: Following The Plastards' cover of the Misfits' "Ghouls Night Out," one 1950s greaser-type guy rushed the stage and suggested the band play some Dead Kennedys. Someone behind him cried out for Black Flag (what about FLAG? ha ha) and "Six Pack!"

Sorry, buddy, but the closest you got to that was a refill or 10 of your 5.5-ounce taster glass. Prost!



Sunday, September 1, 2013

DOA, Fastbacks take Seattle by storm


DOA's Joey "Shithead" Keithley, top, and the Fastbacks' Kurt Bloch, below. (All Cat Rose photos)


A stunning pairing.

Like a perfect, medium-rare filet mignon matched with a stellar Syrah red wine ..... DOA and the Fastbacks teamed up for a killer punk rock feast on Friday night at El Corazon in Seattle.

Along with some Cat Rose pics, we've added some brief interviews with fans of the bands.

Let's roll ...

DOA

Shayne Williams from Vancouver, BC, has been a DOA fan for 25 years and first saw them in 1987 in Vancouver:

"(I like the) energy, the message to really question what's around ya. It's intelligent and rebellious and it's just fuckin' enjoyable, man. It's beautiful music and I'm an avid fan.  We heard this might be the last time Joey's playing down here, so I had to check it out."

DOA bassist Dan Yaremko and Shithead.


Fastbacks

Hampton Nelms:

"(They) mean a lot to me, they were my favorites for a long, long time. I discovered them in about 1990-1991, and I just kind of came across them one night seeing them at a show here, actually, the night before Thanksgiving at this same club when it was the Off Ramp. The next time I saw them again at the RKCNDY warming up for the Buzzcocks around '91 and then they were just my band after that.

"It's just a great band. They're not trying to fulfill an image or anything. These guys are just kind of music nerds playing music they wanna play. They're just great pop songs and they resonate with me. I've loved them since then and I've never really gotten over them."

The Fastbacks' Lulu Gargiulo and Bloch.


DOA

Gordon Kelly Jr. has been following DOA since he heard "Hardcore '81" in junior high:

"(I like) the hardcore sound that they've got... it was a kick-ass show, I had a great time. (The message) has always been positive, I've never had to second guess anything I've ever heard out of their music."

DOA's J.J. Heath

Fastbacks

Zach Jones has been a Fastbacks fan since he was 16-17 years old. He's now 35:

"Honestly, they kind of mean everything, that's my favorite band, even though they're out of my age range. They got me through a lot of finals in college. Even though a lot of the lyrics are depressing, Kim and Lulu's vocals always seem to pick it up and creates an uplifting feel to it. I have little kids and they love them and they recognize the Fastbacks."

Fastbacks' Kim Warnick, drummer Mike Musberger, Kurt and Lulu.




In closing ... here's Joey, like a true politician, giving this kid a lift.



Monday, August 26, 2013

Circle Jerks! 7 Seconds! The Yobs! ... and who?? Sorex


By Andy

Insolents: Out. Sorex: In.

I was loafing around home one afternoon in October of 1985 -- probably planted in front of the television watching the classic hoops series "The White Shadow" and scarfing my beloved sour cream and onion Doritos and gulping down a Dr. Pepper -- when Sorex drummer Dave phoned. He had just received word from a gig promoter in Reno, Nev., that San Diego's Insolents had canceled their appearance at an upcoming show with the Circle Jerks and 7 Seconds. He wondered if we could play the gig. Hell yes, Dave replied.

Gigs were scarce for our little band back then, so we were primed -- and a bit nuts, I suppose -- to drive the 532 miles from our Redondo Beach home to play one show. But this was a gig. Period. And it was with two of the premier punk bands of that era. How could we pass this one up? Destiny was in the air, we figured.

Oh yeah, the gig was a week away, so we had to do some quick planning to make this happen.

Committing to play was the easy part. The seemingly Gargantuan tasks were finding a vehicle or two on short notice that would survive the eight-hour drive to the gig location in nearby Sparks, Nev., and usher us back home safely; get time off work; make sure there was nothing crucial on tap in our classes at junior college, since we'd be missing a day by leaving early Friday morning for that night's show. I secured my parents' Subaru hatchback for the journey, since my car wasn't in shape for a long haul, and guitarist Korky obtained a suitable car from a friend, I believe, so we were set. Bring on the open road!

The drive was a breeze, with bassist John and I in the Subaru with Dave's drum kit in back along with some amps. We were powered by Mountain Dew and the sounds of Husker Du's "Flip Your Wig" and "New Day Rising" on the tape deck ... as the kids say these days, those were our jams. The other guys -- Korky, Dave and guitarist Jerry -- zipped along the highway in their ride with the guitars and sundry items.

We made it to the promoter's house at about 1 or 2 in the afternoon, hung out at his sketchy friend's filthy house (there was a trash can in the kitchen with flies buzzing around it) for a while, but then retired to the car for a nap. We spent some time acoustically rehearsing songs with Korky (our new guitarist) on the steps of the house while sipping on Budweiser tall boys and wondering what the night would bring.

When we arrived at the Sparks Rec Hall, some locals informed us that it was a former church and the bands would play on the old altar. John and I cracked up. How fitting, since we used to be altar boys at our Catholic church in grade school. One question: was there any sacramental wine left over in a cupboard somewhere?

We opened the gig to a decent-sized crowd of about 100 people, all of whom seemed to dig our sounds. I went off -- jumping, singing and even running at the crowd, pretending that I was going to knock into people but then stopping on a dime, faking them out and drawing smiles from the punks. We did make a few mistakes, like me singing the wrong lyrics to one song because it was so loud on stage that I couldn't tell which number we were playing; Korky couldn't remember some of his guitar parts, so he turned down his amp at one point and stuck his guitar between Jerry's legs like some cheesy Sunset Strip hair band's antics. Nobody knew our songs, anyway, so what the hell, right?

The Yobs from Reno rocked, and about 15 minutes after their set I visited with Kevin Seconds in the parking lot. He missed our rock show, but said The Yobs guys told him we were good. I traded records with Kevin: our "Portrait of a Prisoner" EP for his band's "Blasts From the Past" EP. (I ran into Kevin at a 7 Seconds gig in San Jose two years later, and he said he still had our record. He handed me the microphone that night to sing a chorus or two with him.)

The 7 Seconds hometown boys were next and stoked the crowd with their punk anthems and new poppy-styled tunes. I fell victim to one of Belvy K's flying drum sticks just under my left eye that night. I reached down, picked up the piece and stuffed it in my pocket for a keepsake. I didn't have clenched fists, but I had a bit of a black eye, for sure, that next morning.

The Circle Jerks got the crowd raging, as well, and it brought back memories of the first time I saw them with TSOL at the Starwood in April of '81 -- my first gig at age 14. We didn't visit with any of the CJ's guys that night, but I did see guitarist Greg Hetson cruising through the living room of the sketchy house with a six-pack of Bud tall boys at a post-gig soiree.

As for accommodations that evening, Dave, Korky and Jerry stayed at sketchy house, while John and I befriended a nice fellow, Tim, who invited us to stay at his house. I got the rec room all to myself and slumbered on a comfy couch. Score!

The next day, John and I bragged about our crash pad as we grabbed breakfast at a casino with the promoter guy. Instead of heading home, we trucked through to Berkeley, hoping to hop on the CJ's gig at Ruthie's Inn, a place we played about a year earlier with Broken Bones, Special Forces and others. No dice gig-wise, but we did spot Metallica's Cliff Burton hanging outside with his buddies drinking beers, just like us.

Since we wouldn't be playing that night, John and I filled the gas tank with our share of the $150 the band earned and headed home. We made it back to Redondo without a hitch, blasting those same Husker tapes along the way. (I tossed those tattered Radio Shack cassettes in the trash the next day ... they had done their job and it was the end of the road for them.)

The band didn't last much longer after that jaunt, but at least we got a memorable road trip under our belt --- and at least we got to play a goddamn gig!